After an overview of the events surrounding Paul Revere's famous ride, this lesson challenges students to think about the reasons for that fame. Using both primary and secondhand accounts, students compare the account of Revere's ride in Longfellow's famous poem with actual historical events, in order to answer the question: why does Revere's ride occupy such a prominent place in the American consciousness?
In this lesson, students explore the First Industrial Revolution in early nineteenth-century America. By reading and comparing first-hand accounts of the lives of workers before the Civil War, students prepare for a series of guided role-playing activities designed to help them make an informed judgment as to whether the changes that took place in manufacturing and distribution during this period are best described as a 'revolution' or as a steady evolution over time.
American foreign policy continues to resonate with the issues involved in the entry of the United States into World War I—unilateralism versus foreign alliances, the responsibilities of power, the influence of the military-industrial complex on foreign policy, the use of force to accomplish idealistic goals. Understanding the choices the Wilson administration made and their consequences provides insight into international affairs in the years since the end of the Great War and beyond. In this lesson, students reconsider the events leading to U.S. entry into World War I through the lens of archival documents.
John Steinbeck drew from Tom Collins’s Arvin Migrant Camp reports to compose "The Grapes of Wrath." In this lesson, students consider how an author uses nonfiction sources to affect the reader’s perception of the novel’s authenticity.
In this lesson students examine primary source documents including photographs, film, maps, and essays to learn about Chicago at the turn of the 20th century and Carl Sandburg's famous poem. After examining the poem's use of personification and apostrophe, students write their own pieces about beloved places with Sandburg's poem as a model.
This lesson helps students "hear" some of the diverse colonial voices that, in the course of time and under the pressure of novel ideas and events, contributed to the American Revolution. Students analyze a variety of primary documents illustrating the diversity of religious, political, social, and economic motives behind competing perspectives on questions of independence and rebellion.
Kerry James Marshall's painting Voyager, depicting two partially obscured Black figures standing aboard a ship, refers to an actual ship, Wanderer, which was among the last slave ships in the United States, illegally transporting more than 400 individuals from West Africa to Georgia in 1858—even though the importation of enslaved people had been banned in 1808. Use the painting as an entry point to discuss the Transatlantic slave trade and introduce students to the NEH-funded database Slave Voyages project.
Students examine the theory Man vs. Superman as it is revealed in several scenes within the novel and tackle the larger questions it bring up: Are humans really divided into two distinct categories, the ordinary and the extraordinary? Is this division a figment created by an overactive intellect? What did Dostoevsky think? Then they learn the theory differs radically from Dostoyevsky’s fictional reality—and reader’s—uncover yet another split in the world of the novel, one between intellect and emotion/instinct.
