This lesson focuses on John Winthrop’s historic "Model of Christian Charity" sermon which is often referred to by its “City on a Hill “ metaphor. Through a close reading of this admittedly difficult text, students will learn how it illuminates the beliefs, goals, and programs of the Puritans. The sermon sought to inspire and to motivate the Puritans by pointing out the distance they had to travel between an ideal community and their real-world situation.
John Steinbeck drew from Tom Collins’s Arvin Migrant Camp reports to compose "The Grapes of Wrath." In this lesson, students consider how an author uses nonfiction sources to affect the reader’s perception of the novel’s authenticity.
In this lesson, students will learn how to describe painter Thomas Hart Benton’s artistic techniques; identify the roots of country music as well as some of the early performers; and discuss how changes in art and musical style reflect changes in society.
Explore the philosophical contributions that Benjamin Franklin and Thomas Jefferson made to the movement for American independence. The lesson introduces students to some of the important precursor documents, such as Franklin's Albany Plan of 1754 and Jefferson's Draft of the Virginia Constitution, that led to the Declaration of Independence and the Constitution.
How do artists create a story that provides a message or provokes emotions in that single frame? This lesson will help students analyze ways in which the composition of a painting contributes to telling the story or conveying the message through the placement of objects and images within the painting.
In this lesson, students analyze, compare, and contrast two famous but different poems about death. Students will study poetry form (elegy and villanelle) and poetic devices such as repetition and tone.
After a close reading and comparison of Edward Hopper's painting House by the Railroad and Edward Hirsch's poem about the painting, students explore the types of emotion generated by each work in the viewer or reader and examine how the painter and poet each achieved these responses.
Marco Polo's father and uncle returned to Venice when he was 15 years old. Two years later, when they set off again for China, they decided to take Marco with them. Students will take a “virtual” trip with Marco Polo from Venice to China and back. The first leg of the journey ends at Hormuz.
This lesson introduces students to Egyptian art, culture, and history through the ancient tomb paintings and mythological figures of the Book of the Dead.
