This lesson focuses on character analysis throughout William Golding’s novel Lord of the Flies. While contemplating both direct and indirect characterization techniques, students will be able to consider how characterization builds relationships among the boys in the novel.
Curriculum unit of three lessons explores Williams’s use of expressionism to more fully comprehend the theatrical devices and themes in The Glass Menagerie. In Lesson 3, they express their evolving comprehension through a thesis-driven essay.
Harriet Jacobs was the first woman to write a slave narrative, Incidents in the Life of a Slave Girl (1861). She was born a slave in 1813 in Edenton, North Carolina, and died free in Washington, D. C., at the age of eighty-four. Elizabeth Keckly was born into slavery in 1818 near Petersburg, Virginia. She learned to sew from her mother, an expert seamstress enslaved in the Burwell family.
Students survey works of art derived from many different eras and schools based on myths from The Metamorphoses. They compare the imagery in the artworks with the passages detailing Ovid’s original tales to understand the artists’ frame of reference and choices.
Students compare the stories of creation as told by Ovid in Book I of The Metamorphoses with the Biblical narrative of creation as told in Genesis: 1–2. They identify the significance of those elements and the emphasis placed on them.
Students compare two versions of the Orpheus and Eurydice myth. Ovid’s version in (Bk X: 1–85) tells the story primarily from an androcentric point of view through the character, Orpheus. In the version expressed by 20th –century a poet H.D. offers the story from a woman’s point of view and articulates the emotions of a broken-hearted, and downright angry, Eurydice.
In this triumph of magical realism, "One Hundred Years of Solitude" chronicles a century of the remarkable Buendía family’s history in the fictional Colombian town of Macondo. The three lessons presented here explore the fantastic elements of this imaginary world, the real history that lies behind them, and García Márquez’s own philosophical musings on writing about Latin America.
In 1845, the Narrative of the Life of Frederick Douglass, an American Slave, and Written by Himself was published. In it, Douglass criticizes directly—often with withering irony—those who defend slavery and those who prefer a romanticized version of it.
John Steinbeck recognized that one of the most criticized elements of The Grapes of Wrath was his alternating use of inner chapters or “generals” that interrupt the narrative of the Joads. In this lesson, students will first determine the function of Steinbeck’s opening chapter which acts as the first “inner chapter.” Then, they will explore the relationship between inner chapters and the Joad narrative chapters throughout the novel.
The T'ang Dynasty(c. 600-900 CE), the period when the lu shih came to the fore as a poetic form is considered by some to be the peak of classical of Chinese culture.
