On the last Monday in May the nation celebrates Memorial Day. It is, of course, a day off from school and work and the unofficial beginning of the summer. There are cookouts, picnics, and always a televised concert on the National Mall.
Much more important, it is an occasion to pay tribute to those men and women who have died in defense of the homeland. There is a rich literature of speeches, stories, poems, and essays about these sacrifices.
No one captured oral history like Studs Terkel. He was a one-of-a-kind radio show personality, a fixture in Chicago broadcasting, where he held court at WFMT for four and half decades, from 1952 to 1997, engaging in conversation with some of the greatest minds and artistic lights of the 20th century.
When most people think of the civil rights movement, they think of Martin Luther King, Jr., whose "I Have a Dream" speech, delivered on the steps of the Lincoln Memorial in 1963 and his acceptance of the Nobel Peace Prize the following year. Malcolm X’s embrace of black separatism, however, shifted the debate over how to achieve freedom and equality by laying the groundwork for the Black Power movement of the late sixties.
So many of our students arrive with a negative impression of the discipline of history. They have come to the conclusion that the study of history is about memorizing a ton of dull facts. Why wouldn’t they feel this way? It is not until later in life that they will be exposed to the real work of historians through taking an upper-level college history course or researching family genealogy.
Last time, I began to survey how American artists viewed the Great War (1914–1918). This NEH-supported exhibition, World War I and American Art, has uncovered forgotten works that could help teachers illustrate and illuminate the course of the war, the political opinions pro and con, and the enormous human toll it had on the nation and the world. This week, I’ll talk about some neglected artists who deserve to be remembered as powerful and passionate witnesses to the carnage both on the battlefields and in the hospitals afterward.
World War I (1914-1918) has been called the seminal catastrophe of the twentieth century, leading to the destruction of four empires (Russian, German, Austrian-Hungrian, and Ottoman), the rise of communism and fascism, the Second World War, and even the Cold War.
“Incredible Bridges: Poets Creating Community” is a series developed by the Academy of American Poets in collaboration with EDSITEment that enlists the voices of nine contemporary American poets, each delivering a poem that has been selected in support of the National Endowment for the Humanities Chairman’s initiative, “The Common Good.” The discourse is guided by nine companion lesson plans with activities designed for secondary-level students.
Americans elect a president through the state-by-state mechanism of the Electoral College rather than direct nationwide popular vote. Today, all but two states award all of their electoral votes to the statewide winner.
How can we help students better understand the long history of immigration to the United States and the experiences of contemporary immigrants and refugees? How do we encourage students to compare immigrant groups and eras of immigration through the experiences of individuals and families? How can students understand their place within this long history and immigration’s impact on shaping an increasingly diverse society?
“Life in the galloping flatlands was a pact with nature. It gave as much as it took, and in 1935 it was all take.”—Timothy Egan, The Worst Hard Time
You are a teenager growing up on a wheat farm in the Texas panhandle in the 1930s. How will you weather the terrible dust storms that will blanket your farm and survive the coming hardships of the Great Depression?
