A style of literature where fantastical and magical elements are melded within a realistic narrative. These magical elements are explained like normal occurrences using matter-of-fact tone which allows the "fantastic" to be accepted along with “the real” in the same stream of thought.
A comparison between two seemingly unrelated things, such as the following example from Langston Hughes’ "Dreams":
Life is a broken-winged bird
That cannot fly.
A period of time between the 5th century to the 16th century AD; also known as the Middle Ages.
A series stressed and unstressed syllables arranged in patterns called feet. Iambic pentameter, for example, is a line with five feet, each of which has one unstressed syllable followed by one stressed syllable, as with this line from Shakespeare’s Sonnet 130:
My mistress' eyes are nothing like the sun;
The primary types of feet are:
Iambic – unstressed, stressed
Trochaic – stressed, unstressed
Anapestic – unstressed, unstressed, stressed
Dactylic – stressed, unstressed, unstressed
Metrical lines (the number of feet in a line) are named as follows:
One foot: Monometer
Two feet: Dimeter
Three feet: Trimeter
Four feet: Tetrameter
Five feet: Pentameter
Six feet: Hexameter
Seven feet: Heptameter
Eight feet: Octameter
A cultural and artistic movement after World War I characterized by disillusionment with the past and a rampant desire to, in the words of Ezra Pound, "make it new."
A collection of traditional narratives that are passed down through various textual and visual sources and that convey commonly held beliefs in a particular society about natural phenomena, historical events, and proper behavior.