Help your students consider a variety of narrative stances in Edgar Allen Poe's short story, "Tell Tale Heart," and Ambrose Bierce's "An Occurrence at Owl Creek Bridge."
In this lesson, students will explore the role of the individual in the modern world by closely reading and analyzing T.S. Eliot’s “The Love Song of J. Alfred Prufrock.”
We are naturally curious about the lives (and deaths) of authors, especially those, such as Edgar Allan Poe and Ambrose Bierce, who have left us with so many intriguing mysteries. But does biographical knowledge add to our understanding of their works? And if so, how do we distinguish between the accurate detail and the rumor; between truth and exaggeration? In this lesson, students become literary sleuths, attempting to separate biographical reality from myth. They also become careful critics, taking a stand on whether extra-literary materials such as biographies and letters should influence the way readers understand a writer's texts.
Students explore the artistry that helped make Washington Irving our nation's first literary master and ponder the mystery that now haunts every Halloween--What happened to Ichabod Crane?
John Steinbeck recognized that one of the most criticized elements of The Grapes of Wrath was his alternating use of inner chapters or “generals” that interrupt the narrative of the Joads. In this lesson, students will first determine the function of Steinbeck’s opening chapter which acts as the first “inner chapter.” Then, they will explore the relationship between inner chapters and the Joad narrative chapters throughout the novel.
Three simple and age appropriate activities on Spanish language and culture which focus on the family and the Spanish names for various family members.
John Steinbeck drew from Tom Collins’s Arvin Migrant Camp reports to compose "The Grapes of Wrath." In this lesson, students consider how an author uses nonfiction sources to affect the reader’s perception of the novel’s authenticity.
Centered on poems about the natural world, this lesson encourages students, first, to make the reading of poetry a creative act; and, second, to appreciate particular literary devices in their functions as semaphores or interpretive signals.
In this lesson, students will look behind the story at the historical, social, and cultural circumstances that shape the narrative throughout Esperanza Rising. The lesson also invites students to contemplate some of the changes Esperanza undergoes as she grows into a responsible young woman and the contradictions that she experiences.
By closely reading historical documents and attempting to interpret them, students consider how Arthur Miller interpreted the facts of the Salem witch trials and how he successfully dramatized them in his play, "The Crucible." As they explore historical materials, such as the biographies of key players (the accused and the accusers) and transcripts of the Salem Witch trials themselves, students will be guided by aesthetic and dramatic concerns: In what ways do historical events lend themselves (or not) to dramatization? What makes a particular dramatization of history effective and memorable?