John Steinbeck recognized that one of the most criticized elements of The Grapes of Wrath was his alternating use of inner chapters or “generals” that interrupt the narrative of the Joads. In this lesson, students will first determine the function of Steinbeck’s opening chapter which acts as the first “inner chapter.” Then, they will explore the relationship between inner chapters and the Joad narrative chapters throughout the novel.
John Steinbeck drew from Tom Collins’s Arvin Migrant Camp reports to compose "The Grapes of Wrath." In this lesson, students consider how an author uses nonfiction sources to affect the reader’s perception of the novel’s authenticity.
Sor Juana Inés de la Cruz, la primer gran poeta de América Latina, es considerada una de la figuras literarias más importantes del continente americano y una de las primeras feministas. En el siglo XVII, defendió su derecho a la educación, proponiendo la mayor participación de las mujeres en la cultura y la pedagogía en una sociedad dominada por los hombres.
Sor Juana Inés de la Cruz, the first great Latin American poet, is still considered one of the most important literary figures of the American Hemisphere, and one of the first feminist writers. In the 1600s, she defended her right to be an intellectual, suggesting that women should be educated and educators and accusing men of being the cause of the very ills they blamed on women.
In 1899 and 1900, Secretary of State John Hay issued what became known as the Open Door Notes to foreign powers involved in China. Secretary Hay called on those powers to respect the rights of each other, to agree to an open market and equal trading opportunities for merchants of all nationalities, and to respect the territorial and administrative integrity of China.
Sor Juana Inés de la Cruz, una muy importante figura literaria a nivel mundial y la primer gran poeta de la América Latina, es un producto del Siglo de Oro Español.
Sor Juana Inés de la Cruz, a major literary figure and the first great Latin American poet, is a product of el Siglo de Oro Español (Spanish Golden Age). In this lesson students will analyze two of Sor Juana’s sonnets: “A su retrato” and “En perseguirme, Mundo, ¿qué interesas?” in their original language of publication.
Using Mary Shelley's Frankenstein as a guide, students will consider its relationship between the stories Hawthorne, Poe, and Stephen King. In developing a back story for the science, politics, and supernatural ideas of the Victorian era, students will also explore the emergence of the genre as a whole.
Students learn the linguistic strategies Achebe uses to convey the Igbo and British missionary cultures presented in the novel and how the text combines European linguistic and literary forms with African oral traditions.
At the heart of the lesson are; seven sound experiments designed to help students understand how form, meter, and rhythm all combine to shape our experience of poetry and the meanings we derive from it.