Whether you are teaching film literacy as part of a media arts course or using films to complement your social studies or English language arts curriculum, you will want to arm your students with the terminology to understand film criticism and share their own thoughts and analysis using a shared vocabulary.
Jazz Appreciation Month (JAM) was created by the National Museum of American History back in 2002 to celebrate the extraordinary heritage and history of jazz. This Closer Reading focuses on women in Jazz, with features on Nina Simone and Ella Fitzgerald, and resources for including jazz across the humanities.
Read and discuss some of the great American writers and their work in the mid-19th century. This feature explores the themes of slavery, the role of women, and the experience of war.
The month of May is an opportunity for reflection on and commemoration of all that AAPI individuals and organizations have accomplished and contributed to U.S. history and culture. This piece highlights NEH projects and classroom resources for teaching about these experiences in America.
Now celebrated in more than 40 countries, Jazz Appreciation Month offers an opportunity to explore cultural dynamics that inform jazz music across places, as well as the idiosyncratic ways in which jazz artists reimagine and perform their local for the global.
When we think of using primary source oral histories in our classrooms, there is one resource that is often overlooked but ideally suited to the world history, civics, or global studies curriculum -- the oral histories of our diplomats.
Teaching composition or expository writing in high school is an enduring challenge, perhaps even more so today, when the rapid-fire exchange of Tweets among students can lie at the hub of daily communication before, during, and after class. Nuanced thought, however, requires a greater gestation period than the nearly instant gratification made possible on Twitter.
Craig Harline, professor of history at Brigham Young University, received an NEH Public Scholar grant to write about Martin Luther between the years 1517 and 1522. His book, A World Ablaze: The Rise of Martin Luther and the Birth of the Reformation, was published by Oxford University Press in October 2017.
Last time, I began to survey how American artists viewed the Great War (1914–1918). This NEH-supported exhibition, World War I and American Art, has uncovered forgotten works that could help teachers illustrate and illuminate the course of the war, the political opinions pro and con, and the enormous human toll it had on the nation and the world. This week, I’ll talk about some neglected artists who deserve to be remembered as powerful and passionate witnesses to the carnage both on the battlefields and in the hospitals afterward.
World War I (1914-1918) has been called the seminal catastrophe of the twentieth century, leading to the destruction of four empires (Russian, German, Austrian-Hungrian, and Ottoman), the rise of communism and fascism, the Second World War, and even the Cold War.