Students develop a foundation on which to understand the basic disagreements between North and South.
In this lesson, students closely examine Dickinson’s poem “There’s a certain slant of light” in order to understand her craft. Students explore different components of Dickinson’s poetry and then practice their own critical and poetry writing skills in an emulation exercise. Finally, in the spirit of Dickinson’s correspondences, students will exchange their poems and offer informed critiques of each others’ work.
Reading Emily Dickinson’s letters alongside her poems helps students to better appreciate a remarkable voice in American literature, grasp how Dickinson perceived herself and her poetry, and—perhaps most relevant to their own endeavors—consider the ways in which a writer constructs a “supposed person.”
In this lesson, students will explore Dickinson’s poem “Safe in their Alabaster Chambers” both as it was published as well as how it developed through Dickinson’s correspondence with her sister-in-law Susan Huntington Gilbert Dickinson.
Students will explore how Chopin stages the possible roles for women in Edna's time and culture through the examples of other characters in the novella.
Through the use of maps and original documents, this lesson will focus on the key battles of the Civil War, Gettysburg and Vicksburg and show how the battles contributed to its outcome. It will also examine the "total war" strategy of General Sherman, and the role of naval warfare in bringing about a Union victory.
This lesson will examine the most famous speech in American history to understand how Lincoln turned a perfunctory eulogy at a cemetery dedication into a concise and profound meditation on the meaning of the Civil War and American union.
How did Abraham Lincoln understand the relationship between principles of the Declaration of Independence and the U.S. Constitution? In this lesson students will examine Lincoln's "Fragment on the Constitution and Union" a brief but insightful reflection on the importance of the ideal of individual liberty to the constitutional structure and operation of the American union written in the last days of December 1860 when his election as president had brought the crisis of the American "house divided" to a head.
More Americans lost their lives in the Civil War than in any other conflict. How did the United States arrive at a point at which the South seceded and some families were so fractured that brother fought brother?
A complex series of events led to the Civil War. The lessons in this unit are designed to help students develop a foundation on which to understand the basic disagreements between North and South. Through the investigation of primary source documents —photographs, census information and other archival documents—students gain an appreciation of everyday life in the North and South, changes occurring in the lives of ordinary Americans, and some of the major social and economic issues of the years before the Civil War.
The Civil War erupted after a long history of compromises and sectional debates over representation, federalism, tariffs and territories. Though many of the political differences are beyond the scope of the intermediate curriculum, students can use their analysis of archival documents to begin to appreciate the differences between the North and South and the changes afoot in the United States that contributed to the developing conflict.
Before you begin to teach this unit, review the suggested activities and familiarize yourself with the websites involved. Select, download and duplicate, as necessary, any documents you want the class to use.
For the census activity in Lesson 3, either the teacher or students will need to keep a calculator at hand.
You may wish to provide students with a copy of the Document Analysis Worksheet, available through the EDSITEment resource The Digital Classroom, to guide them as they review the documents in this unit.
The purpose of this lesson is to prepare students with background information for understanding the causes of the Civil War. You can find information on the causes of the Civil War, accessible through a link from the EDSITEment resource The Internet Public Library.
In 1862, Emily Dickinson, one of the most innovative poets of the 19th century, ventured a letter to Thomas Wentworth Higginson, an editor, writer, and longtime contributor to the Atlantic Monthly who would become her long-time correspondent and mentor. She asked, "Are you too deeply occupied to say if my verse is alive?" Long perceived as a recluse who wrote purely in isolation, Dickinson in reality maintained many dynamic correspondences throughout her lifetime and specifically sought out dialogues on her poetry. These correspondences—both professional and private—reveal a poet keenly aware of the interdependent relationship between poet and reader.
Similarly, Dickinson's letters expose a poet fully engaged in the process of crafting a persona. In another note to Higginson in the first year of their correspondence, Dickinson wrote, "When I state myself, as the representative of the verse, it does not mean me, but a supposed person." For students of writing, who often struggle to develop a distinctive voice, and then to modify that voice for different audiences, Dickinson's dialogues offer an instructive model. Ultimately, reading Emily Dickinson's letters alongside her poems helps students to better appreciate a remarkable voice in American literature, grasp how Dickinson perceived herself and her poetry, and-perhaps most relevant to their own endeavors—consider the ways in which a writer constructs a "supposed person."
In this curriculum unit, students will explore Dickinson's poetry as well as her letters to Higginson and her sister-in-law Susan Huntington Gilbert Dickinson. They will work individually and in groups to reflect on Dickinson's views and the process by which she writes; assume the role of a critic/correspondent and analyze Dickinson's poetry, specifically noting the effectiveness of her persona; and, finally, emulate her writing style while, at the same time, synthesizing what they've learned about poetic voice in a poetry-writing exercise on "There's a certain Slant of light."