• John Steinbeck’s “The Grapes of Wrath”: Verbal Pictures

    Created December 17, 2012
    Okie squatters

    Students align original FSA photographs from the 1930s and the author’s own journal entries, to trace parallel elements John Steinbeck then incorporated into passages in The Grapes of Wrath.

    Rickett's and Steinbeck's Sea of Cortez sardine boat, The Western Flyer, at dock

    Tracking John Steinbeck in "The Grapes of Wrath"

    Steinbeck scholar Susan Shillinglaw teams with Bill Gilly, professor of Marine Biology at Stanford University’s Hopkins Marine Station to discuss the influence of Steinbeck’s best friend, marine biologist Ed Ricketts, on Steinbeck and his work— in particular, "The Grapes of Wrath."

    How Teachers Can Make the Most of “The Dust Bowl”

    The Dust Bowl: Series Overview  |  Educational Resources  |  Additional Resources on the Website  |  About the Author  | 

    Nevada enters the Union

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  • John Steinbeck’s "The Grapes of Wrath": The Inner Chapters

    Created October 12, 2012
    Steinbeck migrants

    This lesson offers students a close consideration of the opening chapter of John Steinbeck’s The Grapes of Wrath and serves as the impetus for looking at the purpose of the inner chapters or “generals” as the author referred to them.

    1935 drawing of Steinbeck by James Fitzgerald. National Portrait Gallery.

    John Steinbeck: A Voice for a Region, A Voice for America

    This National Endowment for the Humanities Summer Institute for Teachers held at the Steinbeck Institute, San Jose State University, contains a rich collection of scholarly essays, lesson plans, maps, and images covering Steinbeck's work and his world.

    1935 drawing of Steinbeck by James Fitzgerald. National Portrait Gallery.

    John Steinbeck: A Voice for a Region, A Voice for America

    This National Endowment for the Humanities Summer Institute for Teachers held at the Steinbeck Institute, San Jose State University, contains a rich collection of scholarly essays, lesson plans, maps, and images covering Steinbeck's work and his world.

    Contested Visions website main page image. Colonial painting

    Contested Visions in the Spanish Colonial World

    Contested Visions, funded in part by NEH and co-organized by the Los Angeles County Museum of Art and the Instituto Nacional de Antropología e Historia, Mexico, examines the significance of indigenous peoples within the artistic landscape of colonial Latin America. The exhibition offers a comparative view of the two principal viceroyalties of Spanish America—Mexico and Peru—from the fifteenth to the nineteenth centuries.

    EDSITEment and Common Core: A Raisin in the Sun

    TO BRING THIS PRESENTATION "INTO FOCUS," and start the presentation: click on the forward arrow at the bottom of the Prezi window.

  • Planilla de aprendizaje para el estudiante: Esperanza renace de Pam Muñoz Ryan

    Created July 26, 2012